Violence can be handled in a variety of ways across a wide variety of film genres and specific grasps of genres. The goal of this thesis is to explore the different functions of violence in films and then show how different is the acceptance of violence by Western film critics, ie journalists, in the same genre with similar motivations of the main characters, but with a slightly different approach of these characters to the use of violence. In the theoretical part I will describe the terms of review, criticism, film and at the same time the function of violence in films across genres. The practical part will then show how the concept of violence and its function may differ even within one larger genre, although the motivations of the main characters may sometimes be similar. Certain parallels as well as differences in the use and function of violence will be discussed on the example of selected scenes from two action film series Ip Man and Rambo. Subsequently, the reactions to the manifestations of violence by film critics will be analyzed and in the end it will be assessed whether the critics reacted to the processing of violence at all, how they reacted to it and what generally follows from the critics' approach to various possibilities on depicting violence. The partial goal of the thesis will...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:456079 |
| Date | January 2022 |
| Creators | Haugwitz, Daniel |
| Contributors | Štoll, Martin, Křemen, Pavel |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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