Found and collected natural (organic) and industrial materials are conducive to Vicky Shukuroglou's making of artefacts. They have particular properties of materiality and origin for engagement, interpretation and intervention. Materials are sourced, selected and collected from such diverse environments as urban industries and remote coastal environs. They are chosen for their working properties, personal associations, and qualities such as colour, form, texture, weight, structure and material composition. Her observations of and responses to these diverse environments and their local materials become the influence in the process of making. Objects - such as hair and bone - are investigated and reflected upon as they hold certain qualities that appeal and intrigue, and inspire creative responses. Materials are significantly altered from their original form and utilised for the construction of works, or engaged with as 'objects' for inclusion that remain largely as they were found. They are built onto, extended, reconstructed, enclosed or joined with the constructed elements. Visual energy and ambiguity created from common and opposing qualities is considered and utilised in the interpretation of found forms. In the building of these objects or assemblages, they take on a detailed and intimate identity, whose scale expands beyond the hand held object. The process and activity of making is a vehicle for further observation and learning, generating an understanding and insight into the relationships of place, structure, form, movement, space, and personal methodologies.
| Identifer | oai:union.ndltd.org:ADTP/266933 |
| Date | January 2010 |
| Creators | Shukuroglou, Vicky, winepony@gmail.com |
| Publisher | RMIT University. Art |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Rights | http://www.rmit.edu.au/help/disclaimer, Copyright Vicky Shukuroglou |
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