This study examines the five late keyboard works of Cesar Franck: the Prelude, Chorale, and Fugue and the Prelude. Aria, and Finale for piano, and the three organ chorales. The study focuses on harmonic and contrapuntal techniques and their interrelationships, placing the discussion in the context of an analysis of the whole piece. The primary goal is to identify the salient characteristics of each piece; a secondary goal is to identify common harmonic and contrapuntal aspects of Franck's style.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc279361 |
| Date | 05 1900 |
| Creators | Cranford, Dennis R. (Dennis Ray) |
| Contributors | Phipps, Graham Howard, Collins, Michael (Michael B.), 1930-2011, Cho, Gene J., Crowder, (Robert) Douglas |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xv, 352 leaves: music, Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Cranford, Dennis R. (Dennis Ray) |
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