Faculty of Humanities
9301506x
Sarah-Britten@za.yr.com / The New South Africa came into being on February 2, 1990, with State President F.W. de
Klerk’s announcement of the sweeping changes that signalled the end of white minority rule.
The New South Africa immediately assumed mythical status, functioning as a structuring,
legitimating narrative in the face of a history that carried with it the possibility of inter-racial
conflagration. Later, another myth emerged, that of the rainbow nation, together with a latter
day epic hero in the form of Nelson Mandela. Together with a third, less defined myth of the
freedoms promised by the new Constitution of 1996, these constitute a mythology of the New
South Africa.
Advertising played an important role in the propagation and interrogation of these myths.
Campaigns for an assortment of consumer goods and services tracked momentous shifts in
society, politics and culture, often with penetrating insight and incisive humour. Three
campaigns, for Castle Lager (beer), Vodacom (cellular network) and Castrol (motor oil), and
individual advertisements for Nando’s (fast food chicken), Sales House (retail clothing) and
South African Airways, are analysed. The material is approached using a hybrid methodology
of a structure that draws upon Fairclough’s (1989, 1995) Critical Discourse Analysis, while
analysing the texts themselves using an approach most closely allied to the social semiotics of
Barthes (1972). Using this approach, it can be seen, for example, how the Castle Lager
‘Friendship’ campaign is perhaps the most sustained articulation of the ideals embodied in the
New South Africa and particularly the myth of the rainbow nation. In contrast, an analysis of
the Vodacom ‘Yebo Gogo’ campaign reveals that even at its most dominant, the mythology of
the New South Africa was being undermined by prototypical myths that would consolidate
under the heading of the African renaissance.
An overview of all of the campaigns analysed in this thesis point to the existence of three types
of approach to advertising the nation, namely, incantatory, novelistic and identificatory.
Incantatory advertising reproduces dominant national myths without questioning them; in
contrast, novelistic advertising interrogates the assumptions upon which such myths are based
even if it ultimately endorses them. Identificatory advertising focuses on ‘typical’ examples of
what constitutes South Africanness, without any attached overt ideological agenda. Incantatory
advertising tends to emerge at important national anniversaries or international sporting events,
while identificatory advertising became more prominent as the mythology of the New South
Africa became less immediate. It is likely that advertising will continue to play a significant role
in the imagining of the South African nation.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/1846 |
| Date | 17 November 2006 |
| Creators | Britten, Sarah Jane |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | 1009707 bytes, 6017 bytes, application/pdf, application/pdf, application/pdf, application/pdf |
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