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Stereotype and Representation of Near and Middle Eastern Peoples in la bande dessinee

Representation of social groups in the comics is serious. In 2006, a series of twelve cartoons published in a Danish newspaper sparked a controversy that precipitated the deaths of hundreds of people. The images depicted Mohammed and other images that supposedly mocked Islam. All across Europe, the Middle East, and North Africa protesters paraded through the streets, some calling for the death of the cartoonists. Trials in Europe over the publication of these cartoons resulted in several firings. Counter protests have also arisen. These protesters found grievance with the firings, claiming that the freedom of the press was being violated (especially in France, concerning the publication Charlie Hebdo).
Aside from these inflammatory images, comics artists have been depicting peoples of the Near and Middle East since the foundations of the medium by Rodolphe T&oumlpffer. Over approximately 150 years, representation of these peoples have changed in some ways and remained the same in others. Specifically, the franco-belgian tradition of comics (also known as la bande dessin&eacutee) have been instrumental in the creation and proliferation of several stereotypes about Near and Middle Eastern peoples.
This thesis examines the relationships between these stereotypes and the medium of the bande dessin&eacutee. Through a wide variety of criticisms and sources, the researcher found that there exists a focused trend to lessen the degree to which stereotyping of Arabs occurs. Via content and context analysis, the researcher discovered several key factors in the evolution of the Arab stereotype. These factors include political and religious affiliations of the authors and publishers, the type of narrative chosen, and artistic style of the author/ illustrator, amongst others. The additions these authors and illustrators make to the available bodies of literature provide a framework in which to ground psychological and sociological studies of a particular nature, that being the sensitivities of artists in regards to representation.

Identiferoai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-06072010-130848
Date11 June 2010
CreatorsThomas, Brandon Matthew
ContributorsRusso, Adelaide, Stone, Gregory W., Leupin, Alexandre, Costello, Brannon
PublisherLSU
Source SetsLouisiana State University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lsu.edu/docs/available/etd-06072010-130848/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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