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Jean Cocteau: Orpheus Narcissus

Over the course of thirty years, the poet and filmmaker Jean Cocteau created a singular artistic project he called the Orphic trilogy: Le Sang dun poète (1930), Orphée (1950), and Le Testament dOrphée (1959). This trilogy is marked by an Orphic pattern of a poets journey into an underworld to confront death. I will show that Cocteaus invention is to have Orpheus be in love with death, for death to be an attractive and irresistible force to the poet. Simultaneously, Cocteau avails himself of the Narcissus myth, the man in love with his own reflection. Orpheus and Narcissus converge in these films as a synthesis of Cocteaus personal obsessions, which I will identify in his own life. I will reveal that Cocteaus usage of Narcissus results in a queer aesthetic which courses through the trilogy. Through a close textual and visual analysis of these films, I hope to enrich the appreciation and criticism of this major artistic achievement.

Identiferoai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-07132015-151731
Date24 July 2015
CreatorsWalker, Gordon Elliott
ContributorsJensen, Katharine, Yeager, Jack, Leichman, Jeffrey
PublisherLSU
Source SetsLouisiana State University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lsu.edu/docs/available/etd-07132015-151731/
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