Return to search

Comparable Dissonance as Used by Palestrina, Lassus, and Victoria in Three Masses

The purpose of this thesis is to give an account of the comparable use of dissonance of Palestrina, Lassus, and Victoria through harmonic analysis and statistical comparison, illustrating the stylistic differences among the three composers works. The thesis does. not attempt to cover text setting, melodic construction, ranges, or aesthetic evaluation of composition other than that which pertains to dissonance. The analysis of dissonance was done with primary consideration being given to the vertical structure of the harmony, observing the linear structure only with relation to the approach and resolution of that dissonance.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc798268
Date06 1900
CreatorsJerome, Raoul
ContributorsOttman, Robert W.
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatvii, 112 leaves : ill., music., Text
RightsPublic, Jerome, Raoul, Copyright, Copyright is held by the author, unless otherwise noted. All rights

Page generated in 0.002 seconds