Thesis abstract: Despite the fact that some critics view the period of the true Gothic as ending in the year 1820, others consider it to be a genre, as well as an aesthetic, which can still be perceived across various different cultural aspects to this day. Possibly the best way to approach the Gothic within the realm of literature is to observe several key examples of the Gothic topos, which was grounded in the original Gothic pieces of the eighteenth century. During the course of the nineteenth century, a historical period which from the cultural point of view appears almost inherently Gothic, British Gothic writing has undergone considerable changes and development, maintaining several of the key Gothic features, namely those of setting, isolation, and character types, modifying them in the process. Through this, it can be observed to what extent the aspects remain, and just how far-reaching their transformation was within the six exemplary works - Frankenstein, The Vampyre, Jane Eyre, Wuthering Heights, Carmilla, and Dracula. Another important aspect overlaying the selected works is that of monstrosity - a rather physical interpretation of the inner monstrosities of humans, or indeed an entire culture. The literary works, no matter how different at first glance they may appear to be, all utilize typical...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:345644 |
| Date | January 2016 |
| Creators | Mikulová, Martina |
| Contributors | Nováková, Soňa, Beran, Zdeněk |
| Source Sets | Czech ETDs |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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