Among the vast assembly of Biblical mythology, the tower of Babel stands as an exclusive representation of the limits of human endeavor. As a paradigmatic extremity, it circumscribes the field of civic artifice. Babel is the absolute limit, and in that regard, its presence is enduring and timeless. The legacy of exegetic readings are textual shades, emanating from the point source of the paradigm. Athanasius Kircher's Turris Babel is an appropriate and intentional unfolding of this condition. / Firstly, that in the awakening of the Baroque scholar to history, origin materializes as the sole legitimate chronological reference. / Secondly, that the paradigmatic extremities collapse into the empirical standard of the theoretical discourse. / This thesis is a speculative study of architecture, drawn through Turris Babel, in the shadow of the paradigmatic limits of Babel. Written in three parts, each dealing with the implications of artifice in confrontation with the post-Babel adversaries of dispersion, tyranny, and decay.
Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.56976 |
Date | January 1992 |
Creators | Harrop, Patrick H. |
Contributors | Perez-Gomez, Alberto (advisor) |
Publisher | McGill University |
Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
Language | English |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Format | application/pdf |
Coverage | Master of Architecture (School of Architecture.) |
Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
Relation | alephsysno: 001325465, proquestno: AAIMM87716, Theses scanned by UMI/ProQuest. |
Page generated in 0.0018 seconds