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Un trait fondamental de l'écriture harmonique de Franz Schubert : la division symétrique de l'octave en trois parties / V. 1. Text -- v. 2. Exemples musicaux.

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Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.65952
Date January 1985
CreatorsLe Blanc, Mario, 1960-
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageFrench
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Faculty of Music.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 000396244, proquestno: AAIML31191, Theses scanned by UMI/ProQuest.

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