Jan Jiří Hering, painter at the beginning of the Counter-Reformation This diploma thesis deals with Prague based painter Jan Jiří Hering, whose art refers to the first half of the 17th century. The artist's early style is closely associated with the art inspired by the drawings of the Rudolfine Mannerist Era, while the later forms of his paintings show a rather rigid style. It may be presumed that several years spent in Rome during the pontificate of Sixt V. alongside with artistically inspiring atmosphere of Post-Rudolfinian's Prague and consecutive fine art assignments in service of the Catholic Church mainly focused on interior designs, played an important role in developing Hering's artistic expression. As the first Prague painter to begin the Counter-Reformation, Hering dealt with a new kind of fine art assignments in various ways. On the one hand, he used classical patterns to inspire Baroque appearance, dynamism and expression, and on the other hand, he composed pictures of saints according to medieval schemes by combining several scenes into one image space. Given the directly opposed expression of drawing production of the Rudolphine type and the paintings from the period following the Battle of the White Mountain, Hering acts as an artist of two faces. The thesis will attempt to clarify Hering's art and its ties to the first stage of the Counter-Reformation. The research will also focus on the artist's bipolarity in artistic expression with the research for possible parallels and inclusion in the context of Prague's painting scene.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:398894 |
| Date | January 2019 |
| Creators | MATĚJKOVÁ, Lucie |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0023 seconds