KwaZulu-Natal (KZN) has a long history of individuals and groups mobilizing the past to make claims in the present. A notable phenomenon that has captured the attention of scholars of contemporary KZN is how formations such as Ubumbano – that center around the paternal clan and its ancestry – have been invoking ‘pre-Zulu’ pasts to claim resources in the form of land, and even recognition of kingship status by the state. Individuals in former mission stations in turn have referenced the prominence of their families’ histories in the establishment of mission stations. Clearly, the past has potent usability for numerous actors in this province. Rarely have scholars focused on how different generations of Black women in this province, who have not aligned themselves with any formal structure such as Ubumbano, mobilize their families’ histories and for what reasons. Inspired in part to address this gap, this thesis explores the oral historical narrations of three women of three different generations from my maternal family, namely Gogo MaHlubi, Mamkhulu Ntombenhle, and Mam Phindile, who are based in Mpolweni Mission. These women are descendants of amakholwa and were socialized in a mission context albeit at different times. My analysis of these women’s narratives reveals that they mobilize the past to strategically position themselves to lay claims to status, belonging, and identity in Mpolweni Mission. This happens at a time of growing tensions between first-comer descendants (such as the three women) and newcomers, and their contending claims of belonging to Mpolweni. In the process of grappling with their narrations, we learn more about Mpolweni Mission and its complex history from the perspectives of these women. The result of 3 this is that the history of the area is rendered visible. The oral narratives of these women are not relayed ‘oral tradition’: they are fluid, imaginative and not patrilineal in nature. This is in stark contrast to the oral sources that are conventionally treated as ‘oral tradition’ and considered to be passed down from one generation to the other. Moreover, the fluidity of the women’s narratives also means that the narrators are aware of the kinds of work the content of their stories can do for them in different contexts. Individually and collectively, these narratives contribute in crafting what we might call a matri-archive. This matri-archive is constantly being made and remade by the women. The thesis shows how women of different generations are producers of history, and that historical production is not only the preserve of a certain generation of women or of men.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/38005 |
| Date | 03 July 2023 |
| Creators | Mahlaba, Ayanda Mlungisi Godgive |
| Contributors | Hamilton, Carolyn, Mulaudzi, Maanda |
| Publisher | Faculty of Humanities, Department of Historical Studies |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Master Thesis, Masters, MA |
| Format | application/pdf |
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