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Pilfering Patrimony: Nazi-Looted Art and its Continuing Effect on International Relations

It is well documented that during the course of World War II, Nazi leader Adolf Hitler oversaw the plunder of countless works of art throughout Europe. The purpose of this paper is to explore the rationale behind the systematic art theft, understand the international politics and policy of restitution, and consider its geopolitical significance. The relationship between art and the various methods in which it intersects with international politics has been a guiding theme. As we quickly approach a more interconnected world, it has become increasingly necessary to explore how past injustices may continue to influence current diplomatic efforts. Through the analysis of various case studies identifying points of contention between nations, unhealed resentment over WWII-era injustices were identified and explored in greater depth. Although countries have made progress towards mediation and restitution, there is still much to be done in order to repair international relationships. Moving forward, it is essential to advance these efforts towards a mutually agreeable resolution.

Identiferoai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:cmc_theses-1956
Date01 January 2014
CreatorsCason, Monica
PublisherScholarship @ Claremont
Source SetsClaremont Colleges
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceCMC Senior Theses
Rights© 2014 Monica Cason

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