Broadly, this thesis is a project about queerness and its relationship to Twilight. This thesis seeks to recuperate the queer in the Twilight series. Using discourse analysis, I explore both common and uncommon representations of queerness and the popular and unpopular discourses of Twilight. While both Chapter 1 and 2 offer paranoid readings of the Twilight series and its relationship to queerness, Chapter 3 presents a reparative reading of the text. I argue that Meyer’s tame and conservative vampire, conventionally represented as being either sexually ambiguous or outside the norm, is symptomatic of a modern culture that is becoming more accepting of odd, strange, and/or queer individuals. I maintain, however, that the normalization of specific "ways of being" still comes at the expense of the constitutive “other”. Furthermore, I understand this process of normalizing a monster to be representative of a seemingly apolitical, yet violent, Faludian backlash toward queers.
| Identifer | oai:union.ndltd.org:uottawa.ca/oai:ruor.uottawa.ca:10393/30165 |
| Date | January 2013 |
| Creators | McFarland, Jami |
| Contributors | Grandena, Florian |
| Publisher | Université d'Ottawa / University of Ottawa |
| Source Sets | Université d’Ottawa |
| Language | English |
| Detected Language | English |
| Type | Thesis |
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