Actual music theory and practice in contemporary classical music and jazz are closely connected with the matters of creation various harmonies and timbres. The works by the most respective composers such as Maria Schneider (in jazz music) and Tristan Murail (in contemporary classical music) are crucial for their aproach to this theme. The analysis of both compositional aproaches and consideration of a possibility of connecting them is the main topic of this paper.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:178043 |
| Date | January 2014 |
| Creators | Sýkora, Tomáš |
| Contributors | MRKVIČKA, Ladislav, HOŘÍNKA, Slavomír |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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