This paper defines the function of the bass as the basis of harmonic hierarchy at first. After that the different forms of the bass in particular
periods of time are followed. Then the problem of suppressing a bass in avant-garde music of the 20th century is brought forward; its new comeback is found in the minimal and the spectral music. The thesis is based on the concept of the affinity of principles which are responsible for the harmonic and the rhythmic hierarchy; this is the reason why the bass function can emerge also in a form of the rhythmic pulsation.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:177821 |
| Date | January 2013 |
| Creators | Esterle, Vojtěch |
| Contributors | MRKVIČKA, Luboš, HOŘÍNKA, Slavomír |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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