Musical ekphrasis was occurring in the twentieth century in different centers around the world, Cuba: Andalusia, Spain; and Harlem, New York, simultaneously. The writers at the heart of this movement used poetry about music as a means to celebrate the cultures of the marginalized people in their lands, los negros, los gitanos, and African-Americans. The purpose of this study is to define musical ekphrasis and identify it in the works of Nicolás Guillén, Federico García Lorca, and Langston Hughes. Also explored are the common characteristics in ekphrastic poetry by the three poets and the common themes found in their ekphrastic poetry, as well as common influences. Each author is considered in the context of his surroundings and his respective culture, and how that influenced his musical tastes as well as his writing style.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc955012 |
| Date | 12 1900 |
| Creators | Divett, Andrew Brennan |
| Contributors | Derusha, Will, Avilés-Diz, Jorge, Beckman, Pierina E. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | v, 69 pages, Text |
| Rights | Public, Divett, Andrew Brennan, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
Page generated in 0.0087 seconds