This thesis aims to re-analyze the early twentieth century modern architecture, with in the frame work of posthumanism. Referring to the materialist and socioconstructive architecture of Hannes Meyer, the study proposes a shift from humanist ways of production and reception to posthumanism, where the centrality of human in the productive processes of both art and life is questioned. With this respect, the thesis proposes a historical continuity with the post 1960& / #8217 / s posthumanist involvement of the postmodern architecture with the early twentieth century modern architecture. Moreover, it is argued that the ideal of modern architecture& / #8217 / s break with tradition could be realized through a move towards posthumanism referring posthumanist shift occurred in the avant-garde modernism. Within this framework the thesis, via proposing the book by Michael Hays: Modernism and the Posthumanist Subject: The Architecture of Hannes Meyer and Ludwig Hilberseimer as a pretext, argues that the modern architecture& / #8217 / s ideal of break with tradition is realized through the Neue Sachlichkeit architecture of Hannes Meyer within which the architectural production is integrated with the social and productive determinants of life.
| Identifer | oai:union.ndltd.org:METU/oai:etd.lib.metu.edu.tr:http://etd.lib.metu.edu.tr/upload/12605539/index.pdf |
| Date | 01 September 2004 |
| Creators | Baran, Ceyda |
| Contributors | Ogut, Rana Nergis |
| Publisher | METU |
| Source Sets | Middle East Technical Univ. |
| Language | English |
| Detected Language | English |
| Type | M.Arch. Thesis |
| Format | text/pdf |
| Rights | To liberate the content for public access |
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