This essay examines the complex identity struggles of Kwame Asante and Nana AdakuII in Mabel Dove-Danquah’s “Anticipation” and “The Torn Veil.” Dove-Danquah, a pioneer in African literature and politics, portrays the tension between traditional Ghanaian values and colonial influences. Through the lens of Mimicry, Hybridity, and Orientalism, the essay explores the characters’ negotiations between modernity andtradition. Kwame’s pursuit of education and status, juxtaposed with Nana’scommitment to cultural heritage, illustrates the post-colonial identity crisis. The analysis extends to societal impacts, showing how colonial legacies challenge traditional values. By delving into these stories, the essay highlights the cultural negotiation, resistance, and adaptation in postcolonial Ghana, offering insights into identity formation aftercolonialism. Mabel Dove-Danquah discusses through these narratives the enduring influence of colonialism on African societies.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:umu-226364 |
| Date | January 2024 |
| Creators | Ahmed, Bishaaro Nuur |
| Publisher | Umeå universitet, Institutionen för språkstudier |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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