The principal critical theme of Lost Causes is that the cultural realm of a society is imbued with ideological connotations. This is not to argue that a cultural field like Australian cinema, which is the ground from which I draw my principal examples, is an extension of the socio-political viewpoint of whatever government or class interests are in power. Rather, I distinguish such hegemonic practice from the presence of ideological causality in cinema in order to emphasize the hidden, because subliminal, nature of ideology. Thus ideology is a kinetic function of any society. It provides a framework within which citizens define their relationships to the social reality within which they live. The subject does not exist outside of ideology.
| Identifer | oai:union.ndltd.org:ADTP/245269 |
| Creators | Slavin, John |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Rights | Terms and Conditions: Copyright in works deposited in the University of Melbourne Eprints Repository (UMER) is retained by the copyright owner. The work may not be altered without permission from the copyright owner. Readers may only, download, print, and save electronic copies of whole works for their own personal non-commercial use. Any use that exceeds these limits requires permission from the copyright owner. Attribution is essential when quoting or paraphrasing from these works., Open Access |
Page generated in 0.0014 seconds