1 Summary The thesis, Imago gratiosa - Crowned Madonnas in Central Europe in the Baroque Period presents original research results primarily focused on the Madonne Coronate collection in the Archivio Capitolo di San Pietro at the Vatican Library, which was realised as part of Charles University grant project no. 356911 Coronation of Merciful Marian Imagos in Central Europe in the 17th and 18th Century. To become merciful (imago gratiosa) or miraculous (imago miraculosa) a Marian imago must demonstrate divine mercy (save lives during a disaster, cause miraculous recovery from illness, conception, etc.). The greatest expression of veneration and devotion to a merciful or miraculous imago or statue of the Virgin Mary is its coronation. The theological basis of this liturgical ceremony is the coronation of the Virgin Mary on her assumption to heaven. On earth, the Virgin Mary was crowned with imitations of the crowns of worldly monarchs and her crowned imago placed on a royal throne or altar, usually made especially for this occasion for greater honour and glory. This was always the exquisite work of goldsmiths and silversmiths, which if not preserved until today, we can see in numerous manuscripts, prints and engravings specially published to mark the coronation. The nature of the coronation ceremony developed...
Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:327403 |
Date | January 2013 |
Creators | Vrabelová, Dana |
Contributors | Royt, Jan, Kořán, Ivo, Buben, Milan |
Source Sets | Czech ETDs |
Language | Czech |
Detected Language | English |
Type | info:eu-repo/semantics/doctoralThesis |
Rights | info:eu-repo/semantics/restrictedAccess |
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