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'Race' and Realism - Vision, Textuality, and Charles Chesnutt’s The Marrow of Tradition

In this article, I read Charles Chesnutt’s The Marrow of Tradition (1901) against the background of realism to unravel the novel’s distinct critique of racial discourse. I argue that realism’s characteristic technique of appealing to the visible to establish the reality and realness of its fictions enables the novel to trace a similar operation in the discourse of race. My focus rests on the novel’s treatment of two pairs of characters that challenge the visual confidence of both realism and race, pairs that exemplify what Samira Kawash has called 'interracial twins:' sets of characters whose parties 'actually,' ostensibly belong to different 'races,' yet whom the text presents as strikingly similar in their appearance. In its characterization of and narratives surrounding these 'twins,' the novel exposes the techniques by which racial discourse naturalizes itself and unmasks race as a textual construct, generated by stories and documents that dangerously sustain a reality of their own. / Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.

Identiferoai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:28632
Date January 2009
CreatorsKanzler, Katja
PublisherDe Gruyter
Source SetsHochschulschriftenserver (HSSS) der SLUB Dresden
LanguageEnglish
Detected LanguageEnglish
Typedoc-type:article, info:eu-repo/semantics/article, doc-type:Text
SourceZeitschrift für Anglistik und Amerikanistik. Band 57, Heft 4, Seiten 339–353, ISSN (Online) 2196-4726
Rightsinfo:eu-repo/semantics/openAccess
Relation10.1515/zaa.2009.57.4.339

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