Bibliography: leaf 83-86. A critical analysis of Intermezzo, a portfolio of twelve etchings published in 1881 by the German printmaker, Max Klinger (1857-1920) and held by the Art Gallery of South Australia. Recorded as Opus IV, Intermezzi is a relatively unknown and unusual work in Klinger's printmaking oeuvre. It is unlike Klinger's other graphic cycles in that it does not appear to be a related set of prints but a series of free fantasies without associative or thematic connection.
| Identifer | oai:union.ndltd.org:ADTP/118001 |
| Date | January 2002 |
| Creators | Heinrich, David. |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Relation | SAA, SUA |
Page generated in 0.0022 seconds