My interest in architecture is based on discovery and stories. The citys rooms is for everyone. Places for the people to use. Rooms programmed for different purposes, do they really need to be activated to be relevant and exist? I have selected three places that I discovered and became attached to, for strong senses and architectural qualities. Using archival materials and architectural representational techniques, working between 2D to 3D, digital and analog, have I explored the sites to better understand them. I have also found collective descriptions of experiences, activities and events from the places that have made me gain a different kind of understanding. How to convey the history of a place through architectural mediums and how can I work with representation to show the specific events or activities that has attended at the site?Can the narratives create more interest in hidden public places in the city? I've investigated Sagorummet; The chair that disappeared, Tysta Mari gången; The activety that closed down and Glasbrukstäppan; The Swan that flew away
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kth-323617 |
| Date | January 2022 |
| Creators | Fransson, Emma |
| Publisher | KTH, Arkitektur |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | TRITA-ABE-MBT ; 2310 |
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