The main goal of this thesis was to determine how projects Echo24 and Reporter work with journalistic photography using comparative analysis of their visual content. Both projects were found in 2014 as a reaction to a dramatical change of ownership of the Czech media. These changes also had an impact on journalistic photographers, because the new owners tend to save their costs on photography. This is also one of the reasons why I chose to analyze projects that started in 2014. To explain the broader context, in the first part of this thesis I describe the context of journalistic photography and the Czech media market development from the year 1989. In this work, I also describe other projects similar to Echo24 and Reportér. In the second part of the thesis, I use quantitative content analysis to describe the usage of the photographs in the printed version of Echo24 and Reportér. I also compare the collected data with answers from questionnaires with members of the editorial of the projects and photojournalists. In this paper, I found out that the project Echo24 represents the opposite approach towards photography than Reportér. Echo24, like other media, tends to save their cost on photography. Reportér on the other side can be defined as the protector of journalistic and photojournalistic values....
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:404730 |
| Date | January 2019 |
| Creators | Weingartová, Michaela |
| Contributors | Láb, Filip, Turek, Pavel |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0018 seconds