Several late eighteenth-century keyboard composers indicated that some of their works were written specifically for the clavichord, as opposed to the harpsichord or pianoforte. This demand was indicated by a composer's commentary, remarks made by a contemporary, or by Bebung and Tragen der Tone indications in the music. The thesis examines selected works of C.P.E. Bach, Johann Eckard, Nathanael Gruner, Johann Hassler, Christian Neefe, F.S. Sander, and Daniel Tt*rk, and discusses elements of the music that seem particularly suited to clavichord performance. These elements are Bebung, Tragen der TOne, finely nuanced dynamic indications, certain types of melodic writing, and a thin textural composition.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc663059 |
| Date | 05 1900 |
| Creators | Clark, Alice Ham |
| Contributors | Adkins, Cecil, Brown, Charles S. (Organist) |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | x, 111 leaves: music, Text |
| Rights | Public, Clark, Alice Ham, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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