This thesis deals with the manipulation of history in the historical film trilogy Dny zrady, Sokolovo and Osvobození Prahy, directed by Otakar Vávra. This thesis tries to define, on the basis of a comparation of historiographical works of the communist and modern historiography, the amount of historical distortion presented in these films. The normalization regime endeavoured to revise the historical knowledge of the second half of the 60s and to resume the tendencies of the communist regime of the late 40s and 50s and attempted to create a myth of perception of mordern national history, in which the positive influence of the Communist Party of Czechoslovakia in the 30s and 40s was emphasized. Moreover, this myth of the perception of history aimed to discredite figures that were unwanted by the regime and to emphasize friendship with the Soviet Union. Films and tv-series were an appropriate tool to form the perception of history among the people.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:267657 |
| Date | January 2017 |
| Creators | Hodura, Pavel |
| Contributors | Knapík, Jiří, Štoll, Martin |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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