Representations of Chicana bodies in dominant popular culture have historically been contested by Chicana feminists’ own self-representations through art and literature. However, few works examine representations of fat Chicana bodies in literature by Chicana feminists. Through a literary analysis of The Panza Monologues and Real Women Have Curves, as well as an artistic analysis of Laura Aguilar’s photography and through the lenses of Chicanx, queer, and fat studies, my research bridges a gap between Chicana feminist work and fat studies. It looks at how fatness is constructed through the self-representation of women’s bodies. Ultimately, I argue that these art objects are sites of fat Chicana artivism—activism through the use of art—that call for body liberation, respond to the “normative body” required by a colonial legacy of symbolic and physical violence against Chicanx women, and pave the way for further creative artistic and literary work centered on fat Chicanxs to be done.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1876 |
| Date | 01 January 2016 |
| Creators | Móntez, Melissa I. |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2016 Melissa I. Montez, default |
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