Benjamin Britten has written solo and chamber works for the harp which extend harp technique and contribute to a twentieth century public awareness of the instrument. Unlike the majority of harp composers, Britten was internationally known and not a harpist himself. His works form a large part of all contemporary harp literature, yet his solo work and composition for harp and high voice are rarely played because of their difficulty. An examination of A Ceremony of Carols (1942), Suite for Harp (1969), and A Birthday Hansel (1975), will illustrate his contribution to harp performance and technique, and will serve as a valuable resource for harpists.
| Identifer | oai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/624862 |
| Date | January 1989 |
| Creators | Vivona, Christine M., Vivona, Christine M. |
| Publisher | The University of Arizona. |
| Source Sets | University of Arizona |
| Language | en_US |
| Detected Language | English |
| Type | text, Dissertation-Reproduction (electronic) |
| Rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. |
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