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Jean-Jacques Lequeu, orthograph(i)e and the ritual drawing of l'architecture civile

In the fantastical world of the Architecture Civile, Jean-Jacques Lequeu (1757-1826) designed the architect's space of appearance across a ritual act of representation. The meticulous crafting of the architectural drawing defined the very site upon which his highly syncretic and imaginative ornamental language was developed. It was in the idea of ornament that Lequeu articulated his veneration of, and dedication to the restoration of, architectural beauty and delight. / In the drawing and writing of the orthograph(i)e, Lequeu enacted the promordial trait of the dessinateur to found his art and science of representation. In the shadowed depths of the surface and its edge, the elevation and its section, the portrait and its profile, the figural ornaments of Nature and Architecture were made to appear. These, the principal characteristics of his architectural language, were expressed across all three scales of being: the cosmic-sacred, the mythic-historic, and the poetic-psychic. Lequeu's allegorical and symbolic narratives sought to reveal the problematic relationship that existed between architectural thought and its representation, at the threshold of modernity.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.23320
Date January 1995
CreatorsTrubiano, Franca
ContributorsPerez-Gomez, Alberto (advisor)
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Architecture (School of Architecture.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 001487305, proquestno: MM11995, Theses scanned by UMI/ProQuest.

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