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Las grandes transparencias: Dada y surrealismo en los libros-collage de Julio Cortázar

The topic of this research is to demonstrate the technical and conceptual connections which can be seen between the style adopted by the Argentinean writer Julio Cortázar (1914-1984) in his “collage” books La vuelta al día en ochenta mundos (1967) and Último round (1969) and with the avant-garde art movements Dada and Surrealism.

Identiferoai:union.ndltd.org:unibo.it/oai:amsdottorato.cib.unibo.it:3826
Date07 June 2011
CreatorsOntoria, Mercedes <1978>
ContributorsMarchetti, Giovanni Gentile
PublisherAlma Mater Studiorum - Università di Bologna
Source SetsUniversità di Bologna
LanguageSpanish
Detected LanguageEnglish
TypeDoctoral Thesis, PeerReviewed
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/restrictedAccess

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