An exploration of Harriet Beecher Stowe's The Minister's Wooing as viewed through the lens of performance studies and domesticity. Previous tales of fallen women, both in novels and operatic form, deprived the coquette of the agency to change her societally determined route of personal destruction as previously shown in the studies of Catherine Clément. Stowe's unique tale of a French coquette overturns the typical plot of the fallen woman, as demonstrated in Hannah Webster Foster's The Coquette, by giving the coquette agency to redeem herself through key performative, domestic and, according to Judith Butler, transformative acts. Such treatment of this character made Stowe a forerunner in sexual equality.
| Identifer | oai:union.ndltd.org:BGMYU2/oai:scholarsarchive.byu.edu:etd-7300 |
| Date | 01 April 2017 |
| Creators | Schraedel, Chrisanne |
| Publisher | BYU ScholarsArchive |
| Source Sets | Brigham Young University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | All Theses and Dissertations |
| Rights | http://lib.byu.edu/about/copyright/ |
Page generated in 0.002 seconds