CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior / Este trabalho tem como objetivo investigar o processo criativo do poeta Antonio GonÃalves da Silva, conhecido por Patativa do AssarÃ. Observando sua forma de criar os versos, a memÃria, a voz, a linguagem, a temÃtica, verificamos que sua trajetÃria poÃtica està marcada pela oralidade atà mesmo quando sua obra chega a livro. Uma oralidade que convive com a escritura, sem que uma aniquile a outra, mas atuando com dinamicidade e atribuindo valor significativo na conjugaÃÃo dos versos. à no contexto oral que Patativa se insere, sua poesia à feita para ser dita, portanto, a voz se mantÃm ouvida, vigorosa e produtiva. O suporte da escrita nÃo interfere na gÃnese da obra, servindo como meio de garantir permanÃncia e maior difusÃo. Analisamos a presenÃa da oralidade nas fontes, na elaboraÃÃo, na memÃria dos versos, como elemento constitutivo de sua produÃÃo poÃtica. O lugar do fazer poÃtico de Patativa à o sertÃo, onde podemos observar a relaÃÃo natureza e cultura, a dimensÃo social, a beleza e a linguagem. à um sertÃo de poesia, que tem a intenÃÃo de mostrar em que condiÃÃes vive o homem sertanejo. Percebemos que à esse o sentido maior da poesia de Patativa, uma poesia feita para todos, uma voz que vibra em nome do outro, numa linguagem que caracteriza o sertÃo. / The major goal of this research work is to investigate the process of creation of an important poet of the literature of the state of Ceara, Antonio GonÃalves da Silva, known as Patativa do AssarÃ. The research consisted of a bibliographic study through which a number of his poems were selected and analised. On observing his process of creating verses, memory, voice, language, and subject, we came to the following findings: his poetic work is all marked by orality. His poems were created and kept in his mind as if they were created to be told in a public solemnity. His poems were only put on paper after some time. It is worth stating that this trace of orality is perceived not only when their poems were told in public, but also when they were put in written form. This feature of orality through the writing is responsible for a kind of dynamics, which gives a really meaningful value to the combination and harmony of the verses. It is observed that the writing does not interfere with the origin of the poetâs work. The writing function is to register and disseminate it. The poetâs ability of producing orality is also clearly observed through origin, elaboration, and memorization of his verses. The country is the place where he produces his verses. Therefore, we can realize how the social dimension, beauty, language and the relations between nature and culture are strong in his poetry. This means that the country provides him with a kind of poetry which aims at showing the unfair conditions of living of those who live there. To sum up, his poetry is universal for its quality; and constitutes a strong voice that vibrates representing the country.
| Identifer | oai:union.ndltd.org:IBICT/oai:www.teses.ufc.br:2343 |
| Date | 27 January 2006 |
| Creators | Maria do Socorro Pinheiro |
| Contributors | Martine Suzanne Kunz, Francisco Gilmar Cavalcante de Carvalho, Everton Alencar Maia |
| Publisher | Universidade Federal do CearÃ, Programa de PÃs-GraduaÃÃo em Letras, UFC, BR |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da UFC, instname:Universidade Federal do Ceará, instacron:UFC |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0019 seconds