The thesis compares the creation process of film and theatrical liturgical costume with regard to local historiography. In the theoretical part, terms as film, theater and photography are defined; further the circumstances of shaping a dramatic figure are described. Adriena Šimotová, Ester Krumbachová and Ivan Pinkava are mentioned as my inspiration sources. In the practical part I describe implementation procedures of the following projects: Costume as Memory of a Space, Body as its Imprint, Maria stock, Skoky - Layers, I, Olga Hepnarová and the factors which affected and shaped my work.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:202809 |
| Date | January 2015 |
| Creators | Grňáková, Aneta |
| Contributors | KRÁLOVÁ, Andrea, SMOLÍK, Robert |
| Publisher | Akademie múzických umění v Praze.Divadelní fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0075 seconds