In a paper which appeared two years ago, I outlined some of the main features of the contemporary taarab world in Zanzibar, which is undergoing great changes due to economic, social and cultural factors (Aiello Traoré 2004a). A recent development that I highlighted is the vanishing of women\'s taarab clubs. The greater participation of women within the groups of taarab asilia has strated, in my view, an interesting confrontation between the tendency of conversation of the codes which are identified as \"traditional\" and the innovations proposed by female members in music and performance, as well as in the production of lyrics, an area where many women are now regularly involved. I will concentrate my analysis on the taarab lyrics being composed by Zanzibari women, which are of great interest because of the variety of cultural and social backgrounds, themes, techniques and poetical sensitivities.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa.de:bsz:15-qucosa-91129 |
| Date | 14 August 2012 |
| Creators | Aiello Traoré, Flavia |
| Contributors | University of Calabria, Facoltà di Lettere e Filosofia, Universität Mainz, Institut für Ethnologie und Afrikastudien |
| Publisher | Universitätsbibliothek Leipzig |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | doc-type:article |
| Format | application/pdf |
| Source | Swahili Forum 14 (2007), S. 181-195 |
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