The aim of this commentary, which accompanies a folio of electroacoustic/acousmatic, instrumental and mixed compositions, is to investigate the relationship of instrumental and acousmatic compositional practices and to find common integrating structural strategies. These practices are also related to the handling and organization of disparate and large amounts of sound information in both media. Multi-dimensional aural spaces are very common in both instrumental and acousmatic media when timbre becomes a dynamic and form shaping parameter. The listener may perceive the musical discourse in multi-dimensional musical spaces through multiple perceptional modes. A musical syntax of those - usually indeterminate and ambiguous - aural spaces may be achieved through a hybridization of interconnected temporal concepts, connected to motion, gesture and shape, and spatial concepts, connected to sound source and timbre. The narrative structure of the musical discourse is linked to conceptualizations of physical and conceptual musical spaces through cognitive schemas and patterns and can be approached through visual and spatial metaphors that resemble film and TV montage structures. A sound montage theory provides a basic framework for the organization of narrative structure in sound composition.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:638094 |
| Date | January 2013 |
| Creators | Papadimitriou, Lefteris |
| Publisher | University of Huddersfield |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://eprints.hud.ac.uk/id/eprint/23454/ |
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