Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based material in my music written between 1999 and 2010. The selected works illustrates the process leading up to my research based on psychoacoustic consonance and dissonance and my strategies to create a new kind of harmony – a harmony based on concrete sounds with inharmonic spectra. The discussion will refer to pieces by composers who have worked with harmony based on the analysis of sound spectra; instrumental and mixed works by spectralist composers such as Grisey, Murail and Saariaho and electroacoustic works by Harvey and others. I will address the importance of research in the psychoacoustic field, in particular, research by William A. Sethares regarding inharmonic spectra and scales and how it has affected my works.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:526321 |
| Date | January 2010 |
| Creators | Sundin, Paulina E. |
| Contributors | Adkins, Monty |
| Publisher | University of Huddersfield |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://eprints.hud.ac.uk/id/eprint/9289/ |
Page generated in 0.0015 seconds