This project examines the historical use of text on emblematic objects and through a studio-based practice investigates the signifying properties of object, text and material in the communication of symbolic message. It involves the manufacture of contemporary jewellery and tableware in traditional and non-traditional materials and references cultural and political themes. The symbolism of these themes has been explored through the visual and material applications of selected text, the collection and manipulation of found material (found with or without text), and how meaning can be symbolised through the transcendent manipulation of form. In my research I examined the established history of emblematic objects, which through their incorporation of text, their function and scale in relation to the body, organise, distinguish, categorise, unite or isolate groups of people. In my research I established that text has been employed by gold and silversmiths through out history and in a variety of ways - to narrate messages, as an abstract decoration, or as a means of identifying the maker but the graphic potential of text as a visible sign was rarely demonstrated. With this studio based project I was interested in investigating the signifying properties of text and the creation of a dynamic relationship between text, form and material as a means to communicate symbolic meaning. My research establishes the potential of the metaphoric and material language of jewellery and tableware to make reference to and communicate within contemporary cultural and political dialogues.
| Identifer | oai:union.ndltd.org:ADTP/222325 |
| Date | January 2007 |
| Creators | Bartley, Roseanne, bartleybila@netspace.net.au |
| Publisher | RMIT University. Art |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Rights | http://www.rmit.edu.au/help/disclaimer, Copyright Roseanne Bartley |
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