In this thesis I develop the notion of discursive instance applied to the internal migrant’s prominent role in Peruvian film. Through an analysis of film production during the eighties, I demonstrate that urban film reveals the crisis of the predominance of creole subjectivity within a cultural homogeneity. In opposition to this, it shows a heterogeneous process where the migrant referent, although part of the new urban context, belongs to a different cultural universe than that of its enunciator.
| Identifer | oai:union.ndltd.org:uottawa.ca/oai:ruor.uottawa.ca:10393/24054 |
| Date | January 2013 |
| Creators | Salinas Martínez, Pablo Manuel |
| Contributors | Gastón Lillo |
| Publisher | Université d'Ottawa / University of Ottawa |
| Source Sets | Université d’Ottawa |
| Language | Spanish |
| Detected Language | English |
| Type | Thesis |
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