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HONOR AND CHAOS

On June 3rd, 2010, I certainly was not aware of what was about to take place. I was in Kandahar, Afghanistan, and at this point in time my unit and I had been in country for five out of the twelve months of our deployment. An ear-splitting boom woke me up, and the smell of iron and blood was so strong it seemed to override my ability to focus on what was really happening. The sounds I heard were lowered and muffled and mostly pain-filled and anguished. Mine was often a voice that joined them. Those cries could also change the course of a life. They are cries that, once heard, can never be erased from memory. I knew my comrades were down in the depths with me. I will never take anything for granted again.
Honor and Chaos works across media to transform space and transport viewers. The exhibition incorporates sculptural forms of wire and scrap metal, dark ink drawings interrupted by spray paint, and salvaged plastics to immerse viewers in another place and time. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2020. / FAU Electronic Theses and Dissertations Collection

Identiferoai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_42605
ContributorsFedor, Penelope Joelle (author), Broderick, Amy (Thesis advisor), Florida Atlantic University (Degree grantor), Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
PublisherFlorida Atlantic University
Source SetsFlorida Atlantic University
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation, Text
Format40 p., application/pdf
RightsCopyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder., http://rightsstatements.org/vocab/InC/1.0/

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