TITLE: THE LANGUAGE OF MUSIC: Claudio Monteverdi as an innovator in the field of dealing with text in music. SUMMARY: The main topic of this Thesis is Claudio Monteverdi's work and its importance for the development of dealing with text in music of the late Renaissance and early Baroque period. In Monteverdi's compositions we can follow the evolution of counterpoint techniques reaching from the traditional 16th century vocal polyphony to the purely monodic approach to composition that is typical of Baroque music. The text works as a creative element that affects the author's way of working, leading him from the first experiments with the musical representation of each word in the madrigal to a dramatic expression of the text in the style of opera. In his work Monteverdi uses wordpainting to an unprecedented extent. He invents new musical expression for words that contain a strong emotional charge, like subtle rhythmic figures for joyful words, or sharp dissonances for words conveying pain. He is the first composer to achieve excellence in combining flawless technical skill with the dramatic line of the composition. His work forms an imaginary bridge between music of two periods: in the first period text is perceived as a mere "servant" of music but becomes the "ruler" of it in the later one. The Thesis...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:326635 |
| Date | January 2013 |
| Creators | Kroupová, Sylvie |
| Contributors | Valášek, Marek, Pecháček, Stanislav |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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