These poems deconstruct Mary Shelley's monster from a spiritually Chthonian, critically post-structuralist creative stance. But the process here is not simple disruption of the original discourse; this poetry cycle transforms the monster's traditional body, using what pieces are left from reception/vivisection to reconstruct, through gradual accretion, new authority for each new form, each new appendage.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc277686 |
Date | 05 1900 |
Creators | Dietrich, Bryan D. (Bryan David) |
Contributors | Cairns, Scott, Simpkins, Scott, 1958-, Mitchell, Giles R., Smith, Don Wiley |
Publisher | University of North Texas |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | iv, 75 leaves, Text |
Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Dietrich, Bryan D. (Bryan David) |
Page generated in 0.0024 seconds