A Postcard from Cairo is a chamber work for three performers (flute/soprano saxophone, vibraphone/conga, and electric guitar) supported by stereo tape and two digital sequencers. The musical content is a montage of Arabian, Indian, Spanish, and Moroccan ethnic music, combined with avant-garde sounds. The score reflects a mixture of traditional and contemporary elements featuring extensive use of improvisation and repetition. Each player is required to coordinate his responses in a variety of ways. Cues are governed by an analog clock, and pulses are provided by the tape/sequencer background.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc500643 |
Date | 12 1900 |
Creators | Luis, Paul R. (Paul Reinaldo) |
Contributors | Brown, Newel K., Johnson, Thomas (Guitarist) |
Publisher | North Texas State University |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | 1 music score (xiv, 17 leaves): ill., Text |
Rights | Public, Luis, Paul R. (Paul Reinaldo), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.0074 seconds