This thesis examines the psychological processes dancers experience while learning choreography through a phenomenological hermeneutic lens. This investigation took place at Scripps College Dance Department where I composed a choreographic work to explore the outer expressivity of internal experiences. By measuring psychological experiences of flow, the research identifies when dancers do or do not experience positive mental states of being in flow while engaged in the choreographic process of making concert dance. Data was collected using the Event Experience Scale (FSS-2) and the Performance Competency Evaluation Measure (PCEM), as well as additional comments from the participants. This thesis challenges the notion that the psychological experiences of creating dance cannot be investigated qualitatively.
Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1922 |
Date | 01 January 2016 |
Creators | Wilson, Ella |
Publisher | Scholarship @ Claremont |
Source Sets | Claremont Colleges |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | Scripps Senior Theses |
Rights | © 2016 Ella S Wilson, default |
Page generated in 0.0021 seconds