Sir Eugene Goossens (1893-1962) was a leading English composer and conductor of the early twentieth century. Though his music is relatively unknown today, at the height of his popularity as a composer in the 1920s and 30s, Goossens music was considered equal to that of British contemporaries Ralph Vaughan Williams, Benjamin Britten, Malcolm Arnold, Arnold Bax, and Gordon Jacob. A public scandal towards the end of his career resulted in his works falling into relative obscurity, with the exception of his oboe concerto. Despite the concertos popularity within the oboe community, few in-depth studies of the work exist.
This monograph presents a formal examination of Eugene Goossenss Oboe Concerto in One Movement (1929). Chapter One explores the life and musical journey of Eugene, as well as his brother Léon, a well-known oboist for whom the concerto was written. It also delves into the history of the concerto, including its premiere and significance of the piece within the oboe repertory. In Chapter Two, the concerto is examined through an analysis of the formal structure, unifying elements, and salient aspects of the piece. Chapter Three provides a guide for performing or teaching the piece, focusing on interpretation, technical challenges, and ensemble considerations.
| Identifer | oai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-05262016-144035 |
| Date | 02 June 2016 |
| Creators | Woodworth, Grace Ellen |
| Contributors | Cox, Johanna, Bazayev, Inessa, Campbell, Griffin, Ellis, Kenneth |
| Publisher | LSU |
| Source Sets | Louisiana State University |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lsu.edu/docs/available/etd-05262016-144035/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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