The task of creating Spanish opera in a musical environment which was hostile and critical has been a consternation and challenge for almost every Spanish composer with a desire to create a Spanish national operatic identity. The opera El Gato Montés, by composer-librettist Manuel Penella Moreno (1880-1939) premiered in 1916. The work achieved great public success in and outside of Spain, including a 10 week sold-out performance run in New York City in 1920. Penella's talent for composing lovely melodies is manifest in the music for El Gato Montés. The libretto is dramatic and effective. Its appeal to the public at large was demonstrated with its triumphant premiere and following successful performances. Ultimately, this opera met the same fate as the great majority of Spanish operas. It was set aside and forgotten. The only exception to this pattern was Manuel de Falla's (1876-1946) La vida breve (1913). The purpose of this study is to present Penella's El Gato Montés as an exceptional example of Spanish opera and present a brief history of the development of this genre, from its birth with the opera La púrpura de la rosa by Juan Hidalgo de Polanca in 1660, through the premiere of El Gato Montés in 1916. An analysis of the work will identify and discuss the variety of characteristics of Spanish society, culture and music which are incorporated in the opera, and make the opera a distinctly Spanish work. These characteristics include: the representation of Catholic morality and customs, machismo, familial aspects of a matriarchal society, the gypsies of Southern Spain and their cante flamenco, and the bullfight with its associated musical form, the pasodoble. Several of the criticisms that appeared at the time of the opera's premiere will be discussed, including the accusation that the opera was nothing more than an "españolada," an artificial caricature of the true Spain. It is the author's opinion that El Gato Montés is a work worthy of consideration as an important contribution to Spanish music and the operatic repertoire. / A Treatise submitted to the College of Music in partial fulfillment of the
requirements for the degree of Doctor of Music. / Degree Awarded: Summer Semester, 2009. / Date of Defense: June 19, 2009. / Manuel Penella, Bull Fighting, Spanish Opera, Cante Flamenco / Includes bibliographical references. / Alice Ann Darrow, Outside Committee Member; Larry Gerber, Committee Member.
| Identifer | oai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_168662 |
| Contributors | Esquivel, Karen (authoraut), Darrow, Alice Ann (outside committee member), Gerber, Larry (committee member), College of Music (degree granting department), Florida State University (degree granting institution) |
| Publisher | Florida State University |
| Source Sets | Florida State University |
| Language | English, English |
| Detected Language | English |
| Type | Text, text |
| Format | 1 online resource, computer, application/pdf |
Page generated in 0.0021 seconds