This paper presents a performer's analysis of the solo guitar work In The Woods (1995) by Toru Takemitsu, it provides insight into Takemitsu's compositional style and his views on music, and serves as a performance guide to aid guitarists in the interpretation and performance of his guitar works. I examine In the Woods from three perspectives: analytical, performance, and aesthetic. The analysis includes a detailed assessment of form, phrase structure, melodic structure, rhythmic motives, and all materials relative to the construction of each movement. Analytical comments are directly connected to their applications in the performance of each movement, and include technical considerations such as fingerings and articulations where applicable. / A Treatise submitted to the College of Music in partial fulfillment of the
requirements for the degree of Doctor of Music. / Degree Awarded: Summer Semester, 2008. / Date of Defense: April 24, 2008. / Guitar / Includes bibliographical references. / Jane Piper Clendinning, Professor Directing Treatise; Denise Von Glahn, Outside Committee Member; Bruce Holzman, Committee Member; Melanie Punter, Committee Member.
| Identifer | oai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_168796 |
| Contributors | Dunlap, Matthew George (authoraut), Clendinning, Jane Piper (professor directing treatise), Glahn, Denise Von (outside committee member), Holzman, Bruce (committee member), Punter, Melanie (committee member), College of Music (degree granting department), Florida State University (degree granting institution) |
| Publisher | Florida State University |
| Source Sets | Florida State University |
| Language | English, English |
| Detected Language | English |
| Type | Text, text |
| Format | 1 online resource, computer, application/pdf |
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