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Previous issue date: 2016-01-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / Nosso programa de pesquisa percorre o circuito de musicalidades no Galp?o29, ambiente localizado no bairro da Ribeira, em Natal-RN. A partir desta localidade buscamos tra?ar uma cartografia dos espa?os de musicalidades. Na noite natalense abriram-se espa?os para atua??o de coletivos organizadores de festas, convidando os jovens a frequentar os eventos presentes na agenda festiva do Galp?o29. As festas abriram ambientes e, no seio deles, convidaram os part?cipes ? atua??o. A no??o de close, em nossa disserta??o, busca apresentar a forma de rela??o entre corpos com os ambientes presentes na nossa cidade. Naquelas festas pudemos encontrar jovens vertendo seus desejos em seus pr?prios corpos, microfones, flyers anunciativos de eventos, chamadas para aprecia??o e participa??o de performances. Encontramos DJs e bandas que compuseram produ??es musicais e estenderam-nas as indument?rias, para atua??o nos palcos. No p?blico deparamo-nos com part?cipes atuando na cena atrav?s da cria??o de seus pr?prios closes. Problematizamos a cria??o de espa?os de atua??o onde s?o percebidas liberdades moment?neas, onde o corpo embriaga-se de m?sicas e se desloca das sobrecodifica??es cotidianas da vida na cidade. A cria??o de plat?s festivos comp?em efeitos micropol?ticos na cena da cidade, atrav?s da celebra??o da vida e da composi??o de musicalidades que se expressam em seus efeitos menores. Tra?amos ent?o uma cartografia do close, mostrando como a cria??o de espa?os e performances acontecem na cena natalense entre os flashs capturados nos eventos e como os closes s?o arrastados para outros ambientes da cidade. / Our research program runs through the musicality circuit in Galp?o29, which is located in the neighborhood of Ribeira, in Natal-RN. From this location we seek to draw a cartography of musicality spaces. In Natal?s night opened up spaces for action of collective organizers of parties, inviting young people to attend the events present at the festive agenda of Galp?o29. The festivities opened environments, and in their midst, invited the participants to the action. The notion of close, in our thesis, seeks to present the form of relationship between bodies with the environments present in our city. On those parties we could find young people pouring their desires in their own bodies, microphones, announced flyers of events, calls for consideration and participation of performances. We found DJs and bands who composed musical productions and spread it in the costumes, to act on stage. The public were faced with participants acting in the scene by creating their own closes. We questioned the creation of work spaces where momentary freedoms are realized, where the body drunk to music and moves of everyday overcodings of city?s life. The creation of festive plateaus make up micropolitical effects on the city?s scene, through the celebration of life and composition of musicality that are expressed in their minor effects. Then we draw a cartography of close, showing how the creation of spaces and performances take place in Natal?s scene between the flashes captured in the events and how the closes are dragged to other city environments.
Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/21701 |
Date | 29 January 2016 |
Creators | Lacava, Vyullheney Fernandes de Ara?jo |
Contributors | 37318314815, Dantas, Alexsandro Galeno Ara?jo, 59670886449, Santos, Maria de F?tima Lima, 66163404572, Takeuti, Norma Missae |
Publisher | PROGRAMA DE P?S-GRADUA??O EM CI?NCIAS SOCIAIS, UFRN, Brasil |
Source Sets | IBICT Brazilian ETDs |
Language | Portuguese |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
Rights | info:eu-repo/semantics/openAccess |
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