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Octatonic, chromatic, modal, and symmetrical forms that supplant tonality in five piano preludes by Claude Debussy

Treatise (D.M.A.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references.

Identiferoai:union.ndltd.org:OCLC/oai:xtcat.oclc.org:OCLCNo/122354732
Date January 2002
CreatorsTobin, Anthony Aubrey,
Source SetsOCLC
LanguageEnglish
Detected LanguageEnglish

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