In the composition Archetypal Dreams, musical imagery is created through motifs and ideas that represent the symbolic messages of the unconscious. These motifs are introduced, developed, transformed, and overlapped in contrapuntal dialogue. This unfolding of material grows in significance and complexity building to a resolution of tension. The relationship of motifs to the row is re-established and the row is reconstructed. In this manner the conscious and unconscious elements of the personality are symbolically reconciled. The four movements of the work are entitled: I. Primordial Images; II. Archaic Remnants; III. Mythological Motifs; IV. The Process of Individuation
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc332222 |
| Date | 08 1900 |
| Creators | Hanson, Dan L. |
| Contributors | Mailman, Martin, Phipps, Graham Howard, Clark, Thomas Sidney |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xxviii, 117 leaves: ill., music, Text |
| Rights | Public, Hanson, Dan L., Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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